#Omer arbel office series

This monograph brings together twenty-two compelling projects from lighting works for Bocci to furniture and standalone homes to reveal practice founder Arbel's radical design ethos, which is rooted in material. In this case, a significant discrepancy is established in their respective coefficients of expansion, resulting in forms that capture an ephemeral moment in midtransformation. The work of Omer Arbel Office moves fluidly between the fields of design, architecture, sculpture, and invention.

#Omer arbel office series

The focus is his recent work with fabric-formed concrete, as well as experiments with glass. 113 is one of an ongoing series of experiments exploring relationships between copper alloys and glass. Here, the extent to which his work transcends the notion of design becomes clear. Often, he invents clever hacks of existing processes. What his myriad undertakings have in common is a way of thinking that is rooted in materials based experimentation. He started to get a reputation as a sculptor and designer because people didn’t know where to slot him.įast forward almost 15 years to Particles for the Built World, Arbel’s solo exhibition at the Surrey Art Gallery, on view until June 16. He maintains a discrete architectural practice, and is active in numerous other disciplines under the heading of OAO Works (the acronym stands for Omer Arbel Office). Not everything he produced was functional – many objects were simply for aesthetic contemplation. Rather, he focused on experimenting with materials – their physical qualities and ways of manipulating them – in what he calls “free explorations.”Īrbel embraced imperfection and error. Join design polymath Omer Arbel online during the London Design Festival for a look at some of his most compelling and engaging projects. His emphasis was not on the final shape of his objects, whether lighting, furniture, sculpture or buildings. Omer Arbel office is a skilled Vancouver-based design company that has made these elegant lighting creations.

For example, one of Arbel’s projects is a bowl which uses the sand casting. The form is determined by the materials he chooses, and by the process. detail of installation at Surrey Art Gallery showing 75.10, fabric-cast concrete and 8. Omer Arbel is a graduate from the University of Waterloo School of Architecture, and the founder of the firm Omer Arbel Office. Omer Arbel, “Particles for the Built World,” 2019ĭetail of installation at Surrey Art Gallery showing “75.10,” fabric-cast concrete and “8.0,” 2018-19, polymer-fibre filled concrete chair, 26” x 34” x 28” (courtesy of Omer Arbel Office, photo by Site Photography)īut even as he was starting out, Arbel followed a path that surpassed design alone. Omer Arbel (born 1976) leads Omer Arbel Office (or OAO), a Vancouver-based design practice which aims to collapse traditional boundaries between the. Omer Arbel, Particles for the Built World, 2019.